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camera movement techniques with a gimbal

9 Camera Movement Techniques With a Gimbal

Professional videography with the help of camera movement with a gimbal allows for excellent recordings of moving subjects. Taking advantage of these features when combined with effective and efficient techniques will bring much more brilliant and interesting results. These gimbal movement techniques are very simple and practical.

Gimbal Tips and Tricks

Master smooth shots by practicing slow, controlled movements with your gimbal. Balance your camera properly before shooting to avoid shaky footage and reduce strain on the motors. Experiment with different follow modes to match your shooting style and create dynamic, cinematic effects. In the rest of the article, we are going to tell you several tricks and tips about working with gimbals. Each of these items is one of the principles that must be paid attention to:

Also Read: Buy Guide to Gimbal Stabilizers

A) How do I Make My Gimbal Smoother?

To make your gimbal smoother, balance the camera correctly before use and adjust the gimbal’s settings for lower sensitivity. Practice slow, fluid movements and utilize follow modes that best suit your shooting style. Regularly update firmware for optimal performance.

How do I Make My Gimbal Smoother

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B) How do I Keep My Gimbal Steady?

Keep your gimbal steady by maintaining a firm grip and using both hands when possible. Move slowly and smoothly, bending your knees to absorb motion. Balance the camera properly and let the gimbal do the work, avoiding sudden or rapid direction changes.

How do I Keep My Gimbal Steady?

C) How to Balance a Gimbal?

To balance a gimbal, start by mounting the camera and adjusting its position on each axis until it remains stable without drifting. Fine-tune the tilt, roll, and pan axes so the camera stays level when released. Ensure all locks are tightened before powering on the gimbal.

How to Balance a Gimbal

D) Do You Need a Slider if You Have a Gimbal?

A slider offers controlled, linear movement that’s hard to replicate with a gimbal, making it ideal for smooth, straight tracking shots. While a gimbal is versatile for dynamic and complex movements, a slider is still valuable for precise, repeatable motion in filmmaking.

Do You Need a Slider if You Have a Gimbal?

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Gimbal Movement Techniques

The gimbal as a camera shaker device plays a very effective role in recording videos with the camera. When the videographer has to move while filming or the subject is moving, the conditions become very difficult and shakes and vibrations do not allow professional and high-quality recording.
In such a situation, the gimbal will be a solution and create conditions similar to cinematic situations; But this will be if the techniques of working with a gimbal and professional filming are also used. In the following, we introduce some of these techniques:

1. Follow Shot

Follow Shot refers to a specific angle of the camera that the videographer follows the target subject with the camera, so that the viewer or audience sees him or herself aligned with it and fully experiences the feeling of being in the scene.
This film recording technique allows the viewer and the audience to experience the moment and identify with the character or subject of the film, which is very valuable in this regard.

camera movement techniques

2. Angle

This term refers to the choice of angle during filming and moving the camera with the gimbal, and it does not mean the angle of view. The interpretation of the angle is used to instill power in the character of the film. Using this technique allows us to show the main characters of the film as strong and strong people or to show them in a situation with misery, weakness and distress. The effect of this technique is so much that it is possible to complete the characterization without using dialogue and sentences.

Types of Angle View

In the cinema, three types of angles are used, which are:

A. High Angle

In this technique, the angle is created by placing the camera at a level higher than the subject, and the viewer looks at it from a position of power and authority, which makes him understand the subject or character in conditions of weakness and incapacity;
Of course, it doesn’t always and absolutely mean this, and according to the concept and purpose of the script, characterization, and the help of other elements of filmmaking, other meanings can be induced to the viewer.

B. Normal Angle; Eye Level

The most common form is the angle view, which is used in movies and creates the conditions of experiencing the mood of the film at the same level as the actor and does not necessarily suggest a special feeling.

camera movement techniques

C. Low Angle View

Sometimes the movement of the camera with the gimbal lower than the eyes of the subject or character is placed in the frame. In this case, the viewer perceives the actor by looking down. With this angle, the person in question has the power, authority, glory and strength to be experienced and understood.

3. Reverse Shot

Reverse shot describes a situation where the view visible in the film is completely opposite to its previous view. In this case, your subject in any position that was observed, will now be displayed in reverse conditions;
A common example for this is that if the previous angle showed the subject or character entering the house, the next shot will show him leaving the house, which depicts the opposite position of the previous shot.

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4. Gimbal Movement of Tilt

This technique, also known as Pitch axis, refers to one of the ways of moving the camera, which includes moving the camera with a gimbal. In this situation, the video camera is held in a fixed place, mainly on a tripod or gimbal, and only its head moves up and down.

This technique can also be used to show the glory, greatness, height and related concepts in the subject; For example, showing the very high height of a particular building, showing mountains and other cases. Another very widely used field for using movement and tilt technique is to show the heads of characters and subjects in movies.
Another thing that is well displayed with this method is the movement of the head to see the depth of the valley or similar places. Filming of the subject falling or going up and down the stairs is also recorded with this technique.

camera movement techniques

5. Jib Shot

Another name for this technique is pedestal movement, which is used to record a vertical view from a height. In this camera movement technique, a pedestal is used.
The camera is placed on a mobile stand; Like moving the camera with a gimbal so that it can display the height of the scene or the desired position or a specific subject with vertical movements. During this operation, the whole camera moves with the help of the base.

For a more complete introduction, we should mention that this type of movement is also called a crane model, and in general, a Jib is the name of a device that is made in a relatively compact manner, and weights weighing several kilograms are placed in it, which plays the role of a counterbalancer. It is in charge and balances the weight of the lever and the camera.

Also read: Why does my wireless mic keep cutting out while?

6. PAN

PAN technique, also known as YAW or translational movement, is another filmmaking term that becomes very important when moving a camera with a gimbal. This interpretation refers to the movement of the camera around a fixed axis, which by being on the surface and aligning with the subject or the desired scene, it is possible to move to both the right and left sides. For this, the cameraman moves the camera very slowly and gently on the tripod and follows his subject in the scene. This technique helps when we want to record the movement of the subject horizontally.

In other words, when the character or subject moves in the horizontal direction of the scene, the PAN technique is used; It is also useful for displaying wide and wide landscapes such as deserts, plains, and city views. Before the start of the pen movement, the image is in a static state, and the subject’s movement will be followed by the start of the above technique. To finish it off, the sequence ends with a still shot.

camera movement techniques with a gimbal

Four types of movements can be named which are known as PAN techniques and can be identified as follows:

A. Standard PAN

Simple movement of the camera with a fixed speed that starts from a point and ends at a fixed point after the end of the desired path. This technique can be used to introduce and introduce the environment to the viewer or audience. In some movies, you have probably seen the view of a room from the beginning to the end, or the fences in the middle of the street, or the view of the city buildings, which are displayed based on this type of camera movement.

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B. Tracking Shot PAN

This mode happens when the camera follows its moving subject and continues to follow him.

C. Dynamic PAN

If the videographer intends to move the camera with a gimbal and wants to use this technique, he must choose a subject or event for his camera that has the highest degree of importance for the viewer and follow it while watching the film. The most obvious examples that can be presented for this method and are familiar to everyone are the movement of the ball on the soccer field; But if the referee blows his whistle by presenting a red card on the same field, the camera follows the referee and the player to whom the card was issued and goes towards the referee.

D. Whip Pan (or Swish Pan)

This mode is used when the camera is constantly transferring movement between two subjects at high speed; Like a conversation between two characters, especially when they use short words and sentences and answer each other quickly, and only one camera has the task of filming this situation. There is no choice but to get help from the switch pen.

The whipping and fast movement of the camera backwards and forwards in the X-axis is recorded with the help of this technique. This movement of the camera with a gimbal creates a blurred effect in the film, which is used to show the wandering of the subject, the destruction of space and the like or other special subjects.

This method is also known as pan shot, and it is one of its types or subsets, where the rapid movement of the camera creates undefined streaks in the image. This method can be used to transfer between photos and images with the aim of showing the passage of time or the speed of its passage. To move forward or backward in different parts of a particular place and also to instill energy into the desired scene, this method of movement can be used again.

camera movement techniques

7. Parallax

When the Parallax technique is used in a part of a video, the output is visually beautiful and effective, in that the camera continues to move while the foreground and background scenes appear to be moving. They are moving at different speeds.

The speed of movement of the background scenery is determined based on the camera settings, framing and focal length, how much higher and higher it is compared to the foreground image or the subject in front of the camera. In fact, the difference in movement creates contrast in the movement, and the emphasis of the camera is on the element or subject in front of the camera in the foreground.

Also read: 5 Best gimbal for mirrorless camera

8. Parallax Shot

This term and technique is commonly used in photography; But getting to know it will also be useful for moving the camera with a gimbal. This method is especially close to the previous technique, Parallax in cinematic mode. Parallax can also be used in photography when the position of the subject changes with the rotation or movement of the camera relative to the background.
Parallax shot is based on optical illusion. This optical illusion can cause misalignment of elements in images, especially when shooting panoramas or using a scope for remote photography.

Understanding parallax is essential for photographers who want to achieve accurate and visually pleasing compositions. By learning how to detect and correct parallax, you can ensure that your images retain their intended perspective and depth.
This is especially important in screenplays where accurate alignment of subjects and background elements is important to the overall visual impact of the shot.

9. Push In

The term Push in is used for the method in which a very large amount of zoom is used in the Shot. The implementation of this technique is done in such a way that the camera physically moves towards the desired subject and approaches it, and with this movement, it strengthens the elements or subjects in question or, so to speak, strengthens the subject and the scene. It is quite possible to implement this technique by moving the camera with a gimbal.

It is also possible to do this without moving the camera, in which case you should use special high power lenses. To attract attention and create high focus on an object, topic or any other specific subject, this method can be used to the fullest.

Asking for Mercy for Gimbal and Its Inventor!

When I was learning the basics of filming and I didn’t have the necessary facilities, I tried with great enthusiasm to learn cinematic terms and memorize them so that I could easily perform them when I heard their names. Sometimes it was very difficult, especially since I had to use a video camera on loan.

Moving with the camera made it very difficult for me, and my hand tremors affected the quality of the video output; But all these problems were easily solved by using gimbal! The movement of the camera with a gimbal made it easy to follow the subject and allowed for better execution of techniques and vibrations were eliminated. May God bless Gamibel’s innovative father.

Conclusion

Easing the conditions of recording and preparing videos for different people with numerous facilities made possible by the various types of cameras and telephones, also makes it necessary to be familiar with the terms and techniques of filming. With the basics, you can get the most out of your filming techniques, especially when you’re doing camera movements with a gimbal.

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